Ryan
Ensley (tiger!) of Shiloh talks new record, ‘Scum Pop’ and button-pushers
First
off, hello Ryan!
Hi!
We’ll
start off with a warm-up question. Be honest. I’m not going to judge you. What’s
the last song you listened to?
Last song that I listened to. . .I
think it was called “Yet Again” off the new Grizzly Bear record. It just came
out.
They
have a really sort of vintage-y folky type sound. Would you say that influences
Shiloh in any sort of way?
Yeah, sure. The new record is kind of—its
like more rock ‘n roll-ish. It’s very orchestrated rock ‘n roll, pianos, and
slide guitars, and distortion and harmonies.
Speaking
of studio time, you guys were really heavy on Kickstarter, using it to get funds.
Do you think that Kickstarter is the new wave in musicians raising money to get
their band out and get their albums out and all that?
It’s definitely a new wave thing. It
helps a lot. I don’t think we would have been at this point in the process of
putting out this record if it wasn’t for Kickstarter.
How
much did you guys raise?
$1200. Which wasn’t even enough, but
it was a start. We should be making our first payment out of pocket today, but
we’re all super broke and we’re gonna be like five days late.
Musician
lifestyle, right?
We’re paying them on Friday.
I
really want to ask this question. Musicians can be a liberal word, in my
opinion. We have DJs now, and dubstep. Does it piss you off that dubstep and techno
is the new thing and do you think that guitars are still relevant these days?
Yeah. I think the guitar is more
relevant than ever because it has a competitor in, you know, button-pushers and
shit. I just, I can’t handle it. I don’t like it all. I don’t like the button-pushers.
I like
that you refer to them as “button-pushers.”
It’s just so lame. The whole boom,
boom, boom, boom. (he imitates handling a drum machine) It just looks so lame. And
it sounds horrible, dude. If it sounded good then I would maybe be okay with
it, but it sounds bad. And it looks lame.
So you’re
definitely an organic type of guy.
Yeah. I like guitars.
Okay,
so going back to the new record, would you say it was harder to record this
time around?
I don’t know if it was harder. It was
different.
How so?
The very first demo we did on a
digital 8 track with two microphones in Alex’s mom’s living room. So it was
very simplistic. And the second one, we used my laptop. We used LogicPro and
that was easy in some ways because we did it at our house. At the studio now, it’s
great, but it’s also like you’re forcing yourself to be creative. When we
recorded the first full-length, if we were ever in the mood, we could just
start recording. But now it’s like, ‘okay, we have to go to the studio on this
day.’ There’s this different kind of pressure.
So now
it’s just a lot more calculated. Does that drain some of the creativity out of
the process?
Kinda. There were times when it felt
draining, like we were getting nothing done and we were wasting all our money
and the money that people gave us. But there were other times when, there are
certain sections on the record that wouldn’t sound the way that they would if
it wasn’t for being there.
In the
documentary, Alex said “Midwestern boys making Midwestern noise.” In your
opinion, what is Midwestern noise?
Our form of Midwestern noise is just
that we’re all from the Midwest and we grew up in a very industrial area. And
once you’re there, you end up in between, you know, Chicago and 20 miles
further south is cornfields. It’s just a weird place. So our kind of Midwestern
noise is like scum pop.
Scum
pop?
Yeah.
Elaborate!
There’s fuzzy guitars, but then there’s
also beautiful ragtime pianos and we just started calling it scum pop.
It
might catch on. You never know.
That’s what we’re hoping.
Is
there anything else you want to add? Feel free to shamelessly promote! It’s all
good.
Figure out a way to listen to our new
record. We’re on Facebook, Bandcamp, shilohchicago.bandcamp.com. The record
will be out in like, a month.
Awesome.
I think we’re done here. Thank you for your time!
You’re welcome.
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